Bill Ritchie's art in Washington State
Jeffrey Martin Collection
Placeholder, this grayscale image above is similar to the color print.
Locus and the Sea Squares
Provenance: Print from a variable edition of 141 impressions. Most were printed with intaglio inks from a lacquered copper plate on light Japanese paper chine-colle'd to Van Gelder Zonen paper.
Comment: This print is from a series of 141 trial proofs and artist's proofs in "cycles" of approximately 15 each, of different color series. They are proofs which I made in the processes of cyanotype, woodcut, and intaglio techniques. The result is a series of monotypes. The images derive from three sources: The map is based on the Colorado River, a vicinity known once as the Crossing of the Fathers; the leaf-like shape I call locus--the path of a moving point (I drew these to help establish data for use in a computer program). The Great Wave was drawn to resemble the famous print by Hokusai. Besides the pleasure of meeting people who want to take this print into their personal collections, I have shown the print numerous times and it has given me many rewards, nationally & regionally.
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and the printed transcript by selecting: Transcript
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