Bill Ritchie's art in New York
believed to be in
Sean Elwood Collection
Placeholder, the image above is not that of
No. ___, but it is a placeholder to indicate
the general composition of Sean's print.
Locus and the Sea Squares
Provenance: 1982. Print. Intaglio, relief, stencil, litho. Color configuration unknown at the time of this entry. Shown is a black-and-white facsimile version in lieu of the color one in Sean's collection.
About Sean Elwood: We met when Sean came to Seattle and was working for the Centrum Foundation / Fort Worden cultural arts center in Port Townsend. He had a hand in several opportunities for me - including my stay at Fort Worden in 1985.
Comment: This print is from a series of 141 trial proofs and artist's proofs in "cycles" of approximately 15 each, of different color series. They are proofs which I made in the processes of cyanotype, woodcut, and intaglio techniques. The result is a series of monotypes. The images derive from three sources: The map is based on the Colorado River, a vicinity known once as the Crossing of the Fathers; the leaf-like shape I call locus--the path of a moving point (I drew these to help establish data for use in a computer program). The Great Wave was drawn to resemble the famous print by Hokusai. Besides the pleasure of meeting people who want to take this print into their personal collections, I have shown the print numerous times and it has given me many rewards, nationally & regionally.
Click here to see the process of Bill printing this print
and the printed transcript by selecting: Transcript
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